{"id":9141,"date":"2026-04-16T19:44:50","date_gmt":"2026-04-16T16:44:50","guid":{"rendered":"https:\/\/www.mersinsanatedebiyat.com\/?p=9141"},"modified":"2026-04-16T19:44:50","modified_gmt":"2026-04-16T16:44:50","slug":"mehmet-kabakla-heykel-uzerine-soylesi","status":"publish","type":"post","link":"https:\/\/mersinsanatedebiyat.com\/?p=9141","title":{"rendered":"MEHMET KABAK\u2019LA HEYKEL \u00dcZER\u0130NE S\u00d6YLE\u015e\u0130"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"9141\" class=\"elementor elementor-9141\">\n\t\t\t\t<div class=\"elementor-element elementor-element-25069a4 e-flex e-con-boxed e-con e-parent\" data-id=\"25069a4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-965e4d4 elementor-widget elementor-widget-text-editor\" data-id=\"965e4d4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<div>MEHMET KABAK\u2019LA HEYKEL \u00dcZER\u0130NE S\u00d6YLE\u015e\u0130<\/div><div>\u00a0<\/div><div><span style=\"letter-spacing: 0px;\">E\u00d6.-Sizi tan\u0131yabilir miyiz?<\/span><\/div><div>\u00a0<\/div><div>MK-Ben;Mehmet Kabak, Nev\u015fehir Derinkuyu do\u011fumluyum. Sanatsal ya\u015fam\u0131ma \u00f6ncelikle tiyatroda ba\u015flad\u0131m. Nev\u015fehir Orta Anadolu Tiyatro Toplulu\u011fu\u2019nun kurucusuyum. Kad\u0131k\u00f6y \u015eehir Tiyatrosunda tiyatro oyunculu\u011fu yapt\u0131m. H\u00fcrriyet Gazetesi muhabiriydim.\u00a0 De\u011fi\u015fik kitle \u00f6rg\u00fctlerinin kuruculu\u011funu yapt\u0131m. 1983\u2019te ba\u015flayan sanat ya\u015fam\u0131m 1983-90 aras\u0131 karikat\u00fcrde\u00a0 yo\u011funla\u015ft\u0131. 70 T\u00fcrkiye karma, 17 d\u00fcnya karma, 17 ki\u015fisel T\u00fcrkiye sergisi a\u00e7t\u0131m.\u00a0 Karikat\u00fcrde 8 T\u00fcrkiye \u00f6d\u00fcl\u00fc ve iki d\u00fcnya ikincili\u011fi ald\u0131m. Onun \u00f6tesinde on be\u015f karikat\u00fcr\u00fcm\u00a0 kartpostal olarak yay\u0131nland\u0131. Bir karikat\u00fcr\u00fcm Ayd\u0131n Do\u011fan Vakf\u0131\u2019n\u0131n\u00a0 \u2018Sedat Semavi Karikat\u00fcr Sergisi\u2019 ile\u00a0 d\u00fcnya ile bulu\u015fmakta.\u00a0<\/div><div>\u00a0<\/div><div>1987-93 aras\u0131nda iki \u015fiir kitab\u0131m yay\u0131nland\u0131; \u2018Ta\u015f\u0131nanlar\u2019 ve \u2018H\u00fczn\u00fc Yaln\u0131z Ya\u015famak\u2019. Bu iki \u015fiir kitab\u0131m Epsilon D\u00fcnya Yay\u0131nc\u0131l\u0131k taraf\u0131ndan okuyucuya ula\u015ft\u0131r\u0131ld\u0131. \u015eu an \u00fc\u00e7\u00fcnc\u00fc \u015fiir kitab\u0131m\u0131n haz\u0131rl\u0131\u011f\u0131 var.\u00a0<\/div><div>\u00a0<\/div><div>1993 y\u0131l\u0131nda Mersin \u00dcniversitesi G\u00fczel Sanatlar Fak\u00fcltesi Grafik B\u00f6l\u00fcm\u00fc\u2019ne \u00f6\u011fretim g\u00f6revlisi oldum. 1994 y\u0131l\u0131nda heykelden master\u0131 kazand\u0131m. 1998 y\u0131l\u0131nda Heykel Ana Sanat Dal\u0131nda master\u0131m\u0131 tamamlad\u0131m. \u015eu anda heykel \u00e7al\u0131\u015fmalar\u0131m devam ediyor.<\/div><div>\u00a0<\/div><div>E\u00d6.-Hep sanat\u0131n i\u00e7indesiniz; e\u011fitiminiz resim, seramik ya da heykel \u00fczerine miydi?<\/div><div>MK-E\u011fitimim metal e\u011fitimi; \u2018Metal \u015eekillendirme Teknik E\u011fitimi.\u2019 Onun \u00fczerine koydu\u011fum, d\u00f6rt y\u0131ll\u0131k mast\u0131r\u0131m s\u0131ras\u0131nda metal \u015fekillendirme; metal heykelde \u00fcretime d\u00f6n\u00fc\u015ft\u00fc. 13 ya\u015f\u0131ndan 20 ya\u015f\u0131na kadar olan; \u00f6nce Malatya\u00a0 \u2018\u0130n\u00f6n\u00fc An\u0131t\u0131\u2019n\u0131\u2019, Erzurum \u2018Kurtulu\u015f\u2019 An\u0131t\u0131\u2019n\u0131\u00a0 ve en son olarak da Samsun \u2018\u0130lk Ad\u0131m An\u0131t\u0131\u2019n\u0131 yapt\u0131\u011f\u0131 s\u00fcre\u00e7te\u00a0 heykeltra\u015f\u00a0 \u2018Hakk\u0131 Atamulu\u2019nun yan\u0131nda\u00a0 \u00e7\u0131rakl\u0131k yapt\u0131m. Uzun bir s\u00fcre b\u00f6yle bir ustan\u0131n yan\u0131nda \u00e7al\u0131\u015fmakla heykel sanat\u0131na ait alt yap\u0131m\u0131 olu\u015fturdum. Bunun \u00f6tesinde amat\u00f6r d\u00fczeyde tiyatro e\u011fitimim oldu. Karikat\u00fcr zaten e\u011fitim gerektirmiyordu.\u00a0 Amat\u00f6r bir u\u011fra\u015ft\u0131, profesyonel bir \u00e7izgiye geldi. \u015eiir; ya\u015fam bi\u00e7imim.<\/div><div>\u00a0<\/div><div>E\u00d6.-Mersin\u2019de heykeldeki k\u0131p\u0131rdanma hakk\u0131nda neler s\u00f6ylemek istersiniz?<\/div><div>MK-Asl\u0131nda Mersin\u2019de 1970\u2019li y\u0131llardan ba\u015flayan s\u00fcre\u00e7te ufak tefek heykeller yap\u0131ld\u0131. Hem mek\u00e2n d\u00fczenlenmesi yerli yerinde olmad\u0131\u011f\u0131 i\u00e7in hem de kamunun, kitlenin heykele bak\u0131\u015f\u0131 biraz farkl\u0131 oldu\u011fu i\u00e7in heykel hep k\u0131y\u0131da k\u00f6\u015fede\u00a0 kald\u0131. Hatta \u015fu an Mersin\u2019de H\u00fcseyin Gezer\u2019in yapm\u0131\u015f oldu\u011fu \u00e7ok g\u00fczel heykeller var. \u00d6rne\u011fin K\u00fclt\u00fcr Park\u0131nda\u2019ki \u2018Karacao\u011flan An\u0131t\u0131\u2019 ender an\u0131tlardan bir tanesi ama at\u0131l bir \u015fekilde duruyor. Yeri uygun de\u011fil. Onun \u00f6tesinde, Mersin\u2019de son yap\u0131lan an\u0131t \u00e7al\u0131\u015fmas\u0131, mek\u00e2n d\u00fczenlemesi\u00a0 Tankut \u00d6ktem taraf\u0131ndan yap\u0131lan\u00a0 \u2018G\u00fcl ve G\u00fcvercin\u00a0 Tutan K\u0131z\u2019 heykeli, Mersin halk\u0131 taraf\u0131ndan de\u011fer g\u00f6rmedi. Sanatsal olarak da\u00a0 ticari anlamda bir \u00e7izgi ta\u015f\u0131d\u0131\u011f\u0131 s\u00f6yleniyor.Tabi bu arada Mersin \u00dcniversitesi G\u00fczel Sanatlar Fak\u00fcltesi\u2019nin a\u00e7\u0131lm\u0131\u015f olmas\u0131 ve fak\u00fclte y\u00f6netimi ve rekt\u00f6r\u00fcm\u00fczle, belediyeyle olan i\u015fbirli\u011fi sayesinde\u00a0 son \u00fc\u00e7 ayda k\u0131p\u0131rdanma oldu, sempozyum olay\u0131 g\u00fcndeme geldi. \u20181. H\u00fcseyin Gezer Sempozyumu\u2019 Ta\u015fucu Belediyesiyle yap\u0131lm\u0131\u015ft\u0131. Ard\u0131ndan ge\u00e7ti\u011fimiz aylar i\u00e7erisinde B\u00fcy\u00fck\u015fehir Belediyesi\u00a0 Mersin \u00dcniversitesi i\u015fbirli\u011fiyle sekiz uluslararas\u0131 sanat\u00e7\u0131 ve iki de bizden \u00f6\u011fretim g\u00f6revlisinin kat\u0131lmas\u0131yla \u20182. H\u00fcseyin Gezer Heykel Sempozyumu\u2019nda on adet heykel \u00fcretildi. \u015eu an heykel \u00fcretmenin\u00a0 d\u0131\u015f\u0131nda bu heykellerin kamuya en a\u00e7\u0131k yerde, kamunun g\u00f6rece\u011fi yerde sergilenmesi \u00f6nemli. Ciddi bi\u00e7imde peyzaj d\u00fczenlemesine gerek var. Mersin heykele doydu diyebiliriz ama bir milyonluk\u00a0 bir kentte bat\u0131 standartlar\u0131na g\u00f6re heykel say\u0131s\u0131n\u0131n\u00a0 600\u2019\u00fc bulmas\u0131 gerekir. Bu durumda Mersin\u2019de epeyce heykele ihtiya\u00e7 var, iyi bir alan d\u00fczenlenmesi yap\u0131l\u0131rsa.<\/div><div>\u00a0<\/div><div>E\u00d6.Mersin\u2019de bir tek Tankut \u00d6ktem\u2019in \u2018Elinde G\u00fcl ve G\u00fcvercin Tutan K\u0131z\u2019 heykelini yorumlad\u0131n\u0131z. Bunun d\u0131\u015f\u0131nda ki heykellere nas\u0131l bak\u0131yorsunuz?<\/div><div>\u00a0<\/div><div>MK-Ele\u015ftirmek haddim de\u011fil.\u00a0<\/div><div>\u00a0<\/div><div>E\u00d6-Hi\u00e7birimizin de\u011fil ama yorum yapma hakk\u0131n\u0131z var. Sonu\u00e7ta sizin \u00e7al\u0131\u015fmalar\u0131n\u0131z\u0131 da yorumluyorlar. Di\u011fer heykellere bak\u0131nca ne d\u00fc\u015f\u00fcn\u00fcyorsunuz?<\/div><div>MK-Mesela Gencay Kasap\u00e7\u0131\u2019n\u0131n yapm\u0131\u015f oldu\u011fu fig\u00fcratif \u00e7al\u0131\u015fmalar olduk\u00e7a ho\u015f ama \u00e7ok kapal\u0131 kald\u0131\u011f\u0131 i\u00e7in belki g\u00f6zden \u0131rak.<\/div><div>\u2018\u00dc\u00e7 Ocak An\u0131t\u0131\u2019 fig\u00fcr olarak, doluluk-bo\u015fluk olarak, yo\u011funluk olarak ve ifade etti\u011fi konu olarak ta elle tutulur, \u00e7ok g\u00fczel veriler sunan bir heykel ama yer uygun de\u011fil tabi.<\/div><div>\u00a0<\/div><div>E\u00d6-\u0130stasyonun kar\u015f\u0131s\u0131nda\u00a0 yer alan \u2018\u0130smet \u0130n\u00f6n\u00fc\u2019 heykelini nas\u0131l de\u011ferlendiriyorsunuz?\u00a0<\/div><div>\u00a0<\/div><div>MK-1960\u2019l\u0131 y\u0131llarda yap\u0131lan bir an\u0131t. Alman heykel sanat gelene\u011finin \u00e7izgisinde, o d\u00f6nemde yeti\u015fen ustalar taraf\u0131ndan, Tatbiki G\u00fczel Sanatlar\u2019dan mezun olan \u00f6\u011frencilerin yapm\u0131\u015f oldu\u011fu heykeller zinciri.<\/div><div>\u00a0<\/div><div>E\u00d6-K\u00fclt\u00fcr Merkezinin \u00f6n\u00fcndeki \u2018Atat\u00fcrk\u2019 heykeli?<\/div><div>\u00a0<\/div><div>MK-Ayn\u0131 sanat\u00e7\u0131ya ait oldu\u011funu inan\u0131yorum. \u00c7\u00fcnk\u00fc yap\u0131 olarak ayn\u0131. \u0130\u015f\u00e7ilik ve teknik olarak ayn\u0131. Zaten 1930\u2019lu y\u0131llardan 1960 y\u0131l\u0131na kadar T\u00fcrkiye\u2019de hep Kuvay\u0131 Milliye ve Kurtulu\u015f Sava\u015f\u0131 An\u0131tlar\u0131 yap\u0131lm\u0131\u015ft\u0131r. 1960\u2019tan sonra yava\u015f yava\u015f fig\u00fcratif ve modern heykele ge\u00e7ildi. \u2018Piri Reis\u2019 an\u0131t\u0131 da Tankut \u00d6ktem\u2019in ve iyi bir \u00e7al\u0131\u015fma.<\/div><div>\u00a0<\/div><div>E\u00d6.-Kendi heykellerinizle ilgili ne s\u00f6ylemek istersiniz?\u00a0<\/div><div>\u00a0<\/div><div>MK-\u0130ki tane. Birinin \u00e7evre d\u00fczenlemesi yap\u0131l\u0131yor. \u0130lki; \u2018Birlik, Karde\u015flik ve Dayan\u0131\u015fmay\u0131 simgeleyen \u2018\u00d6zg\u00fcrl\u00fck An\u0131t\u0131, bitirilmi\u015f durumda.\u00a0 \u2018\u00d6zg\u00fcrl\u00fck An\u0131t\u0131\u2019,\u00a0 Mersin mozai\u011fini, asl\u0131nda T\u00fcrkiye mozai\u011fini dillendiren bir heykel. Tabi burada insanlar fig\u00fcratif\u00a0 olarak yerle\u015ftirilmi\u015f olup imge olarak duru\u015f bi\u00e7imiyle d\u00fc\u015f\u00fcnmeyi ve\u00a0 y\u00f6n bulmay\u0131 irdelemektedir. Y\u00f6ns\u00fcz insanlar\u0131n olmas\u0131 bir \u00fclkenin ba\u015f\u0131na belad\u0131r. Y\u00f6n\u00fcn\u00fc bulamayan insanlar, savrulan beyin, tela\u015f\u0131,\u00a0 kayg\u0131y\u0131 ve kavgay\u0131 birlikte getirir. O a\u00e7\u0131dan d\u00fc\u015f\u00fcnme ve birlikte d\u00fc\u015f\u00fcnmeyi, d\u00fcnya ile entegrasyonu, ama bir olarak, karde\u015f olarak ve bar\u0131\u015f i\u00e7erisinde bir \u00f6zg\u00fcrl\u00fc\u011f\u00fc yaratma d\u00fc\u015f\u00fcncesini sembolize ediyor orada. Krom \u2013nikel- \u00e7elikten yap\u0131ld\u0131 fig\u00fcrler. Bak\u0131rlar elde d\u00f6v\u00fclerek yapt\u0131\u011f\u0131m i\u015fler. Simetri eksenli olup; \u00fc\u00e7 eksenli, geometrik formlar\u0131n \u00e7ok a\u011f\u0131rl\u0131kl\u0131 oldu\u011fu bir heykel. T\u00fcrkiye\u2019nin en b\u00fcy\u00fck metal an\u0131t\u0131; 7 metre 80 santim boyunda. Mersin mozai\u011fini ya\u015fam bi\u00e7imi olarak ortaya koyan bir an\u0131t oldu\u011funa inan\u0131yorum. Elbet ele\u015ftiriler alabilir. Ele\u015ftiri sanat\u0131 \u00e7ok de\u011ferlidir. T\u00fcrkiye\u2019de sanatsal ele\u015ftiriyi yapan arkada\u015flar\u0131m\u0131 sayg\u0131yla kar\u015f\u0131l\u0131yorum. Hele hele sanat\u00e7\u0131ysa daha \u00e7ok sayg\u0131 duyuyorum. Ama bu kendi i\u00e7erisinde kini, nefreti bar\u0131nd\u0131r\u0131yorsa biraz da hem sanat\u00e7\u0131 hem de ele\u015ftirenler a\u00e7\u0131s\u0131ndan olumsuz \u015feyler ortaya \u00e7\u0131k\u0131yor. 1930\u2019lu y\u0131llarda ba\u015flayan heykel sanat\u0131 konusunda ki en b\u00fcy\u00fck zulm\u00fc ustam\u00a0 Hakk\u0131 Atamulu \u00e7ekmi\u015ftir T\u00fcrkiye\u2019de. \u00c7\u00fcnk\u00fc anlatt\u0131\u011f\u0131 ve an\u0131lar\u0131nda yazd\u0131\u011f\u0131 o kadar \u00e7ok \u015fey var ki. Bir heykelin j\u00fcriye girmesi konusunda ne ayak oyunlar\u0131n\u0131n yap\u0131ld\u0131\u011f\u0131n\u0131, \u00f6zellikle de An\u0131tkabir r\u00f6lyefleri yap\u0131l\u0131rken Hakk\u0131 Atamulu\u00a0 ustama yap\u0131lan ayak oyunlar\u0131n\u0131, onun \u00f6tesinde \u0130stanbul Gen\u00e7lik An\u0131t\u0131, \u015fu anki \u0130stanbul \u00dcniversitesi\u2019nin \u00f6n\u00fcndeki \u2018Gen\u00e7lik An\u0131t\u0131\u2019n\u0131 b\u00fct\u00fcn projesinin Hakk\u0131 Ustaya ait\u00a0 olmas\u0131na ra\u011fmen bir ba\u015fkas\u0131n\u0131n haz\u0131ra konarak elinden projeyi nas\u0131l \u00e7ald\u0131\u011f\u0131n\u0131 anlat\u0131r, dillendirir. Hakk\u0131 Hocam \u015fu an 89 ya\u015f\u0131nda ve kendi mezar\u0131n\u0131 yonmu\u015f, \u00f6l\u00fcm\u00fc bekliyor. Unutulmu\u015f de\u011fil, \u00e7\u00fcnk\u00fc kendisi d\u00fcnya literat\u00fcr\u00fcnde, ansiklopedilerde isim yapm\u0131\u015f, T\u00fcrkiye\u2019de eserler sunmu\u015f, kendi \u00e7izgisiyle Avrupa\u2019da k\u00fcrs\u00fclerde okutuluyor. Hocam an\u0131t mezar\u0131na ait kitabeye \u201cBen, sanatsal s\u00fcrecimde,\u00a0 hi\u00e7bir zaman f\u0131r\u00e7amdan, tuvalimden, heykel ara\u00e7lar\u0131mdan\u00a0 ihanet g\u00f6rmedim.\u00a0 En b\u00fcy\u00fck ihaneti sanat\u00e7\u0131 dostlar\u0131mdan g\u00f6rd\u00fcm\u201ddiye yazd\u0131. Bu \u00e7ok \u00f6nemli bir belirleme asl\u0131nda. Bence sanat\u00e7\u0131 kendi i\u00e7erisinde, sanat\u0131nda esteti\u011fi yarat\u0131rken biraz\u00a0 y\u00fcre\u011fiyle bar\u0131\u015f\u0131k estetik kayg\u0131s\u0131 ta\u015f\u0131mal\u0131. Bak\u0131\u015flar\u0131nda ac\u0131mas\u0131z olmamal\u0131. G\u0131pta, hainlik, kin ve nefreti bir tarafa b\u0131rakmal\u0131. \u00d6zellikle bir ba\u015fka sanat\u00e7\u0131 dostunun eserine\u00a0 dudak b\u00fcken sanat\u00e7\u0131y\u0131 sevemedim. Kendi dostlar\u0131, kendi arkada\u015flar\u0131 eserler verir, emek vard\u0131r o eserlerde, birikim vard\u0131r. Kendi g\u00f6r\u00fc\u015f a\u00e7\u0131s\u0131d\u0131r, kendi estetik anlay\u0131\u015f\u0131d\u0131r ama buna dudak b\u00fck\u00fclerek bak\u0131lmas\u0131n\u0131 da hazmedemem. Hi\u00e7bir sanat\u00e7\u0131 dostumun yapt\u0131\u011f\u0131 esere dudak b\u00fckmemi\u015fimdir.Onlara her bakt\u0131\u011f\u0131mda \u00f6vg\u00fcyle bahsetmi\u015fimdir. Kim ne derse desin nahif t\u00fcrde Do\u011fan Ak\u00e7a\u2019n\u0131n yapt\u0131\u011f\u0131 \u00e7al\u0131\u015fmalar, 17 ya\u015f\u0131nda sanata ad\u0131m atan Ahmet Ye\u015fil\u2019i Mersin\u2019de yadetmemek m\u00fcmk\u00fcn de\u011fil. Bunlardan bahsederken i\u015fte \u201cAlayl\u0131d\u0131r, akademik e\u011fitimi yoktur\u201d diyen bak\u0131\u015f a\u00e7\u0131lar\u0131na kat\u0131lm\u0131yorum. Asl\u0131nda insan, sanat\u0131 beyninde ve y\u00fcre\u011finde \u00fcretendir. D\u00fcnden bu g\u00fcne gelen Van Gogh, Picasso, Leonardo Da Vinci\u2019lerin de asl\u0131nda akademik bir e\u011fitimi yoktu. Onlar da \u00e7\u0131rakl\u0131ktan yeti\u015fmedir. \u015eu an onlar\u0131n ortaya koydu\u011fu eserler o zaman\u0131 g\u00fcn\u00fcm\u00fcze ta\u015f\u0131yan, o d\u00fcnyay\u0131 g\u00fcn\u00fcm\u00fcze ta\u015f\u0131yan, o malzemeyi g\u00fcn\u00fcm\u00fcze ta\u015f\u0131yan, bug\u00fcn kar\u015f\u0131s\u0131nda sayg\u0131yla e\u011fildi\u011fimiz eserler. Belki de bug\u00fcn, \u00f6v\u00fcnm\u00fcyorum ama Mehmet Kabak\u2019\u0131n yapt\u0131\u011f\u0131 bir eser, bir Tankut Hocan\u0131n yapt\u0131\u011f\u0131 bir eser ya da H\u00fcseyin Hocan\u0131n yapt\u0131\u011f\u0131 bir eser yar\u0131nlarda\u00a0 bir sanat ar\u015fivinde yerini alacak. De\u011ferini o zaman anlayaca\u011f\u0131z. Ama ne yaz\u0131k ki bizim \u00fclkemizde sanat\u00e7\u0131 \u00fcretti\u011fi s\u00fcre\u00e7 i\u00e7erisinde hep ele\u015ftirilere u\u011frar. Hem a\u00e7l\u0131\u011fa mahkum olur, hem sata\u015fmalara mahkum olur. Ama\u00a0 \u00f6ld\u00fckten sonrada yava\u015f yava\u015f de\u011feri anla\u015f\u0131l\u0131r. Bu de\u011fer insana sa\u011fken verilmelidir.<\/div><div>\u00a0<\/div><div>E\u00d6-\u2018\u00d6zg\u00fcrl\u00fck An\u0131t\u0131\u2019n\u0131n konuldu\u011fu yer ve \u00e7evre d\u00fczeni a\u00e7\u0131s\u0131ndan uygun mu?<\/div><div>MK.-Uygun, bence bu \u00e7al\u0131\u015fmam alan heykelidir. Uygun bir yere\u00a0 konuldu.\u00a0<\/div><div>\u0130kinci heykel de\u00a0 uygun bir yerde. \u0130kinci heykel asl\u0131nda heykelin \u00f6tesinde bir an\u0131tsal \u00e7al\u0131\u015fma. Mersin sembol\u00fcnden yola \u00e7\u0131k\u0131larak Mersin\u2019in kurumlar\u0131nda kullan\u0131lan; g\u00fcne\u015f, deniz dalgas\u0131 ve \u2018M\u2019 harfini i\u00e7ine alan bir fig\u00fcratif \u00e7al\u0131\u015fma.\u00a0 Sembollerin\u00a0 an\u0131ta yans\u0131m\u0131\u015f hali diyebiliriz.\u00a0 B\u00fcy\u00fck\u015fehir belediyesinin\u00a0 sipari\u015fi \u00fczerine yap\u0131lm\u0131\u015f bir \u00e7al\u0131\u015fma.<\/div><div>\u00a0<\/div><div>E\u00d6.-Okurlar\u0131m\u0131z merak ederler; bu heykeller b\u00fcy\u00fck \u015fehir belediyesine ka\u00e7a maloldu? B\u00f6yle bir heykel ka\u00e7a yap\u0131l\u0131r?<\/div><div>\u00a0<\/div><div>MK.-Mesela \u015fu an b\u00f6yle bir heykelin T\u00fcrkiye standartlar\u0131nda\u00a0 \u0130zmir, Ankara ve \u0130stanbul\u2019da\u00a0 plastik sanat\u00e7\u0131lar piyasas\u0131na g\u00f6re 70 milyar lira de\u011fer ta\u015f\u0131maktad\u0131r. Her t\u00fcrl\u00fc i\u015f\u00e7ili\u011fi ile birlikte iki heykelin\u00a0 b\u00fcy\u00fck \u015fehir belediyesine toplam maliyeti 25 milyar lira.<\/div><div>\u00a0<\/div><div>E\u00d6.-Gelece\u011fe y\u00f6nelik projeleriniz nelerdir?<\/div><div>\u00a0<\/div><div>MK.-\u015eu an \u00fc\u00e7\u00fcnc\u00fc projem, 24 Ocak\u2019ta and\u0131\u011f\u0131m\u0131z \u2018U\u011fur Mumcu An\u0131t\u0131\u2019. U\u011fur Mumcu\u2019nun ya\u015fam felsefesini, d\u00fc\u015f\u00fcncesini, yaz\u0131m ya\u015fam\u0131n\u0131 ve katledili\u015fini konu alan bir kompozisyon. 20 \u015eubat itibariyle bitmi\u015f olacak. B\u00fcy\u00fck bir ihtimalle\u00a0 yeri ise\u00a0 sahil band\u0131ndaki\u00a0 sandallar\u0131n bulundu\u011fu yerdeki park, eski k\u00fclt\u00fcr evi civar\u0131ndaki\u00a0 park \u2018U\u011fur Mumcu Park\u0131\u2019 olacak ve g\u00fczel bir mek\u00e2n. Denize bakan mek\u00e2nda \u2018U\u011fur Mumcu\u2019nun heykeli olacak. Oran\u0131n di\u011fer bir \u00f6zelli\u011fi ise U\u011fur M\u0131mcu\u2019nun anne ve babas\u0131yla foto\u011fraf \u00e7ektirdi\u011fi yer olmas\u0131.\u00a0<\/div><div>\u00a0<\/div><div>Bunun \u00f6tesinde \u00e7al\u0131\u015fmalar\u0131m devam ediyor. \u015eu an\u00a0 K\u00f6se\u00e7obanl\u0131 Belediyesi\u2019nde \u2018Kuv\u0131 Milliye An\u0131t\u0131\u2019 \u00e7al\u0131\u015fmam var. 19 May\u0131s\u2019ta bitecek. Kaidesiyle birlikte 4.5 metre boyunda, bronz bir \u00e7al\u0131\u015fma.Avanos belediyesiyle i\u015fbirli\u011fi halindeyim. \u2018Naz\u0131m Hikmet\u2019in An\u0131t Mezar\u0131\u2019 \u00e7al\u0131\u015fmam var. Akdeniz belediyesi taraf\u0131ndan\u00a0 ozan \u2018Mahzuni \u015eerif\u2019in bir an\u0131t\u0131n\u0131n yap\u0131lmas\u0131 d\u00fc\u015f\u00fcn\u00fcl\u00fcyor. Yo\u011fun bir \u015fekilde \u00e7al\u0131\u015f\u0131yorum. Mersin i\u00e7in, \u00fclkem i\u00e7in g\u00fczel\u00a0 \u015feyler yapmaya \u00e7al\u0131\u015f\u0131yorum.<\/div><div>\u00a0<\/div><div>E\u00d6 -S\u00f6yle\u015fiye zaman ay\u0131rd\u0131n\u0131z. Te\u015fekk\u00fcr ederiz&#8230;<\/div><div>\u00a0<\/div><div>MK.-Ben te\u015fekk\u00fcr ederim.<\/div><div>\u00a0<\/div><div>Not:. S\u00f6yle\u015fi, 2004 y\u0131l\u0131nda ger\u00e7ekle\u015fmi\u015ftir. Sanat\u00e7\u0131, 2009 y\u0131l\u0131nda intihar\u0131yla hayata veda etti. S\u00f6yle\u015fide s\u00f6z\u00fc edilen heykelleri ve sonra \u00fcretti\u011fi U\u011fur Mumcu r\u00f6lyefi Mersin\u2019de bulunmaktad\u0131r.<\/div><div><p>Erkan \u00d6zayd\u0131n<\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>MEHMET KABAK\u2019LA HEYKEL \u00dcZER\u0130NE S\u00d6YLE\u015e\u0130\u00a0E\u00d6.-Sizi tan\u0131yabilir miyiz?\u00a0MK-Ben;Mehmet Kabak, Nev\u015fehir Derinkuyu do\u011fumluyum. Sanatsal ya\u015fam\u0131ma \u00f6ncelikle tiyatroda ba\u015flad\u0131m. Nev\u015fehir Orta Anadolu Tiyatro [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[7],"tags":[],"class_list":["post-9141","post","type-post","status-publish","format-standard","hentry","category-makale"],"spectra_blocks_featured_image_url":null,"spectra_blocks_author_info":{"display_name":"admin","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/17855654faa7a4e8e87700d4da0c91f48a6fd9448960b451564d1c1f132196dc?s=96&d=mm&r=g","author_link":"https:\/\/mersinsanatedebiyat.com\/?author=1","description":""},"_links":{"self":[{"href":"https:\/\/mersinsanatedebiyat.com\/index.php?rest_route=\/wp\/v2\/posts\/9141","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mersinsanatedebiyat.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mersinsanatedebiyat.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mersinsanatedebiyat.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mersinsanatedebiyat.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9141"}],"version-history":[{"count":0,"href":"https:\/\/mersinsanatedebiyat.com\/index.php?rest_route=\/wp\/v2\/posts\/9141\/revisions"}],"wp:attachment":[{"href":"https:\/\/mersinsanatedebiyat.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9141"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mersinsanatedebiyat.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9141"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mersinsanatedebiyat.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9141"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}